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Investments / Insults

by Squalloscope

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1.
Investments 02:36
buy me money, buy me hard cash buy me bills and stocks and funds and throw some pennies in my bank you’re hip enough to pay to square what’s already there what good is it having millions if you ain’t got few to spare every solid gold throne is just a glorified folding chair sit down on your ass and say your evening prayers: all the pass codes to all of your accounts a cherry on top of the sundae a hail mary to large amounts buy me some possibilities some kind of stability buy me some juicy guarantees sweet, sweet lifetime warranties make use of your twisted priorities that are questionable, morally all on your authority honey, more importantly i’m horrible company but out the door if you just pay me. buy me things, buy me diamond rings they’re a decent enough investment stop asking all these questions put the house in my name hand over any of the porsches to me they’re really all the same it goes up in flames it goes up in smoke if you try to buy my silence honey, i hope you choke give me the keys to the vault i got skeletons in the closet your secrets’ barely decomposed it’s in the floors, it’s in the ceiling, they’re all lying to you if they say that i am stealing come on, come on. buy me some possibilities some kind of stability buy me some juicy guarantees sweet, sweet lifetime warranties make use of your twisted priorities that are questionable, morally all on your authority honey, more importantly i’m horrible company but out the door if you just pay me.
2.
Insults 03:23
you're a dead, rotten, worm-ridden, sweat-dripping bloodsucker the father of all motherfuckers you're a dead, rotten, worm-ridden, sweat-dripping bloodsucker the father of all motherfuckers you're a closed-up, bought-up public space i can see the mold behind your face you are toxic waste they tried to bury you in the desert but they failed let me be your coffin nail. let me be your coffin nail. and here's exactly how little you know: you think you are invincible we've been hanging on to the last straw you play with the lighter to ignite us all just because we hung up on the last phone call and we ain't gonna pick you up when you fall and you fall and you fall and you fall you're a dead, rotten, worm-ridden, sweat-dripping bloodsucker the mother of all motherfuckers you're a dead, rotten, worm-ridden, sweat-dripping bloodsucker the father of all fuckers you could have been a great man but damn, man, you blew it you're a party balloon and we all got needles, screw it. you're the biggest, boldest lie a guy's ever told me. you straw-haired, blue-eyed cardboard cutout with cold feet always cold feet the only reason you're flying high is because sacks of hot air always rise the only reason you're floating high is because sacks of hot air always rise the only reason you're flying high is because sacks of hot air always rise the only reason you're floating high is... you're a dead, rotten, worm-ridden, sweat-dripping bloodsucker the father of all motherfuckers you're a dead, rotten, worm-ridden, sweat-dripping bloodsucker the mother of all motherfuckers you will be nameless and forgotten. you will be absolutely nothing. you will be nameless and forgotten. you will be absolutely nothing.

about

"Investments/Insults" is a double single of two songs i have played at shows but never planned on recording. They don't seem to fit into my other current material, but are, indeed, song siblings to each other. If you are opposed to stealing from the rich and using swear words in your house, maybe listen to these by yourself first before playing them around children. I hope you are safe out there. Much love from the Squalloscope headquarters.

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released May 1, 2020

written, recorded, mixed, and mastered by Anna Kohlweis / Squalloscope

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Squalloscope Vienna, Austria

Squalloscope is Anna Kohlweis, who exists as an interdisciplinary artist, illustrator, music producer, composer, singer, and songwriter based in Vienna. This is an intimate endeavour, music that wants to be sung right into your face, bubbling over with imagery and politics, every record an exercise in turning oneself inside out. What else are we here for? ... more

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